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About two weeks ago the Gemmell onelist group posted the 25 Questons 
burning in our minds to David Gemmell following his offer to answer 
some such questions. Subsequently we have recieved his replies and 
can happily post them on here and other Gemmell websites. 

Anyone with their own website is permitted to copy and paste these 
Q's and A's onto their own page but it'd be nice if you dropped me a 
line just so we can keep track of them all. 

Okay, that's all- you can read them now.


1. Have you any plans to write a book centering around 'the two twins'

I rarely have set plans for future novels. I know that if I live long
enough there'll be one more Druss story, but I really don't know whether
the twins will surface. On the other hand I've probably had as much mail in
the last five years about the twins as I have concerning Waylander or
Druss, so perhaps its time to start the grey cells working on it.

2. Have you ever written a book, not been happy with it, but had it 
accepted and published anyway?

Every time. Authors always feel they could do better given more time, more
money, more praise, more cuddles. The truth is that mostly we can't. When
we're given too much time most of us over-edit the work, or make it too
wordy. Mostly the author is the worst judge of his/her own work. I use a
number of test readers, then a professional editor. I rely on them to give
me honest criticism. HAve you ever noticed how many of your favourite
authors start of with a cracker of a book and then slowly slide downhill.
Mostly this is because they become too 'big' to accept criticism. Now we're
even beginning to see the 'Author's Cut' of some major works. One fantasy
author recently published such a version of his biggest hit. In my opinion
he should have remembered the useful adage 'Less is more.' 

3. Did you write when you were young?

Yes I did. I tried to copy my heroes, Tolkien, Louis Lamour, Peter Cheyney,
Raymond Chandler and [shrinks in embarrassment] Mickey Spillane. The work
was poor. But I persevered. Always strikes me as strange that would-be
writers expect to hit the mother lode immediately. Louis Lamour once said:
'Writing is like gold mining, you have to dig through a millions tons of
dirt before you hit the yellow stuff.' In 95% of cases this is true. It
certainly was in mine.

4. Do you start a book with a complete story plan in mind, or just with a 
few ideas and develop it as you write and ocassionally get new ideas half
way through and veer off?

I start with a character and follow him. The book then springs from the
subconscious. I veer all the time. This means that I never know who is
going to live or die, and I am just as surprised and excited as - hopefully
- the reader will be.

5. What does your writing space look like??

Some days - and this is one of them -  it looks a mess. Papers are
scattered around, there are two swords, one on the floor another leaning on
the wall. The study is small, ten feet by seven. As I look around I see
several cuttings from newspapers, three CD covers - where the Hell the CDs
are I have no idea - an over flowing ash tray [ this writing business is
killing me] a stack of shelves groaning under the weight of foreign
ditions that I cannot read, but cannot bring myself to throw away. Hanging
from the wall beside the window is a holster containing one of the pistols
I used for the Shannow series. Druss' axe is leaning against the leather
topped writing desk. It has scuffed the mahogany, I notice. Oh well....

6. Have you any plans to base a book on the Dragon? (i.e. fill in the
gap between Legend and TKBTG.)

Not at the moment, but it's a nice idea.

7. Will you be doing any book signing tours when Falcon is released? If so,
where?

Been there, done that. I didn't have a lot of time to tour this year so I
did a week, London, Bath, Bradford, Portsmouth, Hull and Stoke. I also
signed a mountain of stock in Birmingham and Manchester.

8. What really makes you laugh?  Good TV?  Good Radio?   A good book?  Good
stand up comedians?  People falling over on banana skins?

All of those - bar the banana skins. I like Frasier, Cybill, Cheers, Fawlty
Towers, and Friends. Mostly though I get the most laughs from politicians
when they talk of honour and integrity. Plankton understand more about
honour than any politician I've ever met. I once spent an entertaining
lunch hour chatting to Michael Howard, the former Home Secretary. He was
just a junior minister then, and MP for Folkestone in Kent. At the time I
was the editor of the local paper and had been running stories on the
proposed Channel Tunnel. My paper printed a coupon so that readers could
vote on whether they wanted the tunnel coming through their town. We had
thousands of letters and had to draft people in to collate them. More than
85% of readers said they did NOT want the tunnel. I asked Mr Howard if he
would raise their objections with the then Prime Minister, Margaret
Thatcher. He responded by asking me if I was naive. He then told me that
since Thatcher wanted the tunnel that was it. No arguments. Unsurprisingly
Mrs Thatcher promoted him.  

9. Which Fantasy Fiction cliche do you dislike the most and why?

I get tired of the constant Tolkien rip offs, singing elves, dwarves with
broad belts and black beards. But then I dont read much fantasy these days
so I dont expose myself to what Moorcock once described as 'pixieshit
novels.'

10. Do you listen to music when you write (i.e. specifically listen to it,
rather than just have it on in the background), or do you prefer silence?

Not when I write, but I do use music to get into the mood for certain
scenes. There's a track at the end of the Titanic movie album which I used
when writing the final scene in Sword in the Storm, where Ruathain is
sitting watching his sons. Now whenever I hear that track there's a tear in
my eye.

11. Is criticism from fans in a forum like this, any different to that of
literary critics when you release a book?

My work does not receive literary criticism. It never has. 'Quality'
newspapers rarely review fantasy in any depth. I had a review once in the
Daily Telegraph which read: 'The only thing I liked about Waylander 2 -
imitation Tolkien with no characterisation - was the butch girl on the
cover.' That was the full review. Did it help to know that the writer was a
failed author? Not a lot. Criticism from fans is another matter entirely. I
take that seriously. It is not easy to act on such criticism, because it is
never universal. I have had many letters from fans who did not like Echoes
of the Great Song, and several from readers who thought it was my best for
years. I tried a more lyrical style for the story. It did not work for the
majority of my fans and I probably wont try it again. 

12. Is there any book you've written in which the main charcater began to
appeal to you less and less until by the end you didn't really like him/her
and had to force yourself not to let your dislike transmit to the page?

Once. In the novel Ironhands Daughter I set out to write a 'dislikeable
woman'. I wanted her to be selfish, self centred and hedonistic, in order
for the subsequent personality changes to be more contrasted. I did far too
good a job. I disliked her throughout. Many readers utterly hated her. I
learned a lot from that book. 

13. I know you don't read a lot of fiction nowadays but what are your
favourite authors of the different genres?

Rob Holdstock is a wonderful writer. Lavondyss is one of my favourite
books. Geoff Ryman is also magnificent. 'WAS' is one of the finest novels
I've read. Thomas Harris, with 'Silence of the Lambs', had me sitting open
mouthed in admiration. A master of narrative drive and characterisation.
Stephen Pressfield's 'Gates of Fire' is a fabulous work.

14. Has anyone ever been offended if you based a not-so-nice character on
them? In partcular I'm thinking of the revieweer (is this right- I could
have the story wrong) you based 'Broome' on in the Jon Shannow books, did
he ever write to you about it?


The man who was the basis for Karnak in the Waylander novels once described
it as a 'poisonous and malicious attack on his integrity.' Sadly he was
also my boss. Curiously I was made redundant soon after. The reviewer named
Broome never wrote to me. Using him taught me a great deal. It was my
intention to make the Broome character an idiot. The reviewer, a man of
pacifistic leanings, had hated my novel Wolf in Shadow. So I created the
pacifist Broome, in order to show that in a world of violence such men are
about as useful as rubber nails. But the more I wrote about him the more I
realised that civilisation is born from the beliefs of such men. Yes the
warriors have their place, but warriors do not create caring societies. Men
like Broome do.  

15. Do you read your books once they're published?

No.

16. The short bio of you circulating the internet says you were expelled
from at 16 school for 'organising a gambling syndicate.' Is this true? If
so, what was it all about?

A friend and I organised a betting shop in the school. Other students could
lay bets with us. Some of the larger bets we offloaded at a betting shop.
It was a lucrative business. Doing the accounts one day I noticed that we
were starting to suffer from a series of bad debts from students who had
placed bets, but not paid up. So - always the businessman - I brought in a
guy named Freddie. Freddie was - not to put too fine a point on it - a
natural leg breaker. This was not surprising since he came from a family of
leg breakers. Anyway, Freddie got to keep half of the money he collected.
Within days a stream of angry parents arrived at the school complaining
about 'Jimmy's black eye' 'John's terrible bruises' 'Henry's chipped
tooth.' The betting shop empire collapsed and within two weeks I was
working as a labourer. 

17. If you could give one piece of advice to want-to-be writers, what would
it be?

Writing is an acquired skill. No-one walks in to a hospital and says: 'I
want to be a brain surgeon, so give me a saw and a sick patient.' The skill
has to be learned. So... never quit. Just keep writing.

18. Which series do you plan to do next? Do you think you'll ever do
another historic fantasy like Lion of Macedon?

I've hired a reviewer to research Constantine the Great. I'd love to do a
big historical novel on him. But the research alone will take two years, so
I wont be starting for at least another three years.

19. What- if anything- are the strangest rumours you've ever heard about
yourself?

Back in 1984 when Legend was first published it followed a novel called the
Horse Lords by Peter Morwood. Both books had the same cover artists, the
same agent, and Morwood's hero was called Gemmel. For about two years
people were convinced that David Gemmell didn't exist and was just a nom de
plume used by Peter Morwood. A few years ago, while suffering from a
particularly unpleasant illness, the rumour went around that I was dying,
which I quite enjoyed because so many people started being nice to me.
After that someone put out on the NET that I was gay, which caused
embarrassment to those young men who approached me at conventions or
signings. 

20. What do you feel about your 'star status'? Have you ever had fans find
out where you live and just turn up?

Yes I have. I try to be polite, but I rarely ask people in who arrive
unannounced. The star bit is at best annoying. I do what I do because I
love it. I am also acutely aware that people pay for my books and I feel
very strongly that they deserve the best I can give. But - when all's said
and done - it is a job. No more than that. It is certainly no more
important that that of a dustman, or a cab driver, or a clerk, and  far
less important than that of a nurse or a doctor. I dont live like a 'star'.
live in a small house in Sussex, drive a normal family saloon and shop at
Tescos. I like to work in my garden and chat to my neighbours. As a  story
teller I have an ego the size of Everest. As a man I try to hold to a sense
of self mockery.

21. Have you ever contracted a fantasy artist to portray any of your 
creations? If not do you have any plans to do so, for say a book cover?

The one artist I have always wanted to see commissioned for a book cover is
John Bolton.  We finally got him for Midnight Falcon and the new Waylander
novel. 

22. Do you work with maps?

Mostly I have a rough map to work from. I'm thinking of commissioning
someone to prepare a map of the Drenai world, because more and more fans
are asking for maps to be included.

23. Are any more books about any of the Feragh in any sort of planning, or 
even in basic idea form?

No.

24. Have you ever considered a Drenai,(or anyother of your creations) as a 
RPG game or Computer game?

Legend was produced as a game for the Sinclair Spectrum back in the
Eighties. The first half of the game involved trying to recruit all the
heroes to come to Dros Delnoch. I never got through the first half. Druss
kept killing me. There may be other games soon. But I can't say too much
about that at the moment.

25. Do you think you'll ever stop writing? 

Sure. One day I'll die.